Unstarving Musician | When being everywhere means being nowhere


Happy Friday!

What if the best business decision you could make is accepting your music is “unmarketable”?

Not in the sense that nobody wants it. But in the sense that it’s never going to compete for Spotify playlist placement alongside mainstream artists.

Singer-songwriter Abe Partridge makes genuinely niche music–psychedelic surf rock, genre bending stuff, and a unique brand of acoustic Americana. Beautiful if you’re into it. But it’s not everybody’s cup of tea.

So here’s what he does with those projects: He keeps them off major streaming platforms.

Three Insights from this Episode

1. The Streaming Paradox

For niche music, being on every platform means being nowhere that matters. Algorithms can’t figure out how to categorize experimental music, so they show it to essentially nobody. You generate $2 from 500 streams while spending hours managing your platform presence—time that could be spent reaching your actual audience through direct channels.

2. The Revenue Math that Changes Everything

One person buying your album directly = 2,000-3,000 streams in revenue. One person at your show buying an album and a t-shirt = 7,500+ streams. Physical sales net you $10-15 profit versus $2 for 500 streams. When you have an audience willing to buy directly, optimizing for streams is optimizing for the wrong metric.

3. Owning Your Niche vs. Competing w/Everyone

Mainstream artists need millions of casual listeners because each one is worth pennies. Niche artists can build careers on a few hundred truly committed fans who buy every album, show up to shows, and tell their friends. When you own your niche, you’re not competing with the entire music industry—just whoever else is in your specific space. That’s a defensible business position.

🎧 Listen to Episode 344: The Economics of Niche Markets for Creatives

Want the Implementation Frameworks?

  • An upcoming edition of Liner Notes Insider will include:
  • Platform evaluation framework (does streaming actually serve your music?)
  • Streaming vs. direct sales calculator (revenue comparison tool)
  • Niche product pricing strategy guide
  • Distribution energy allocation worksheet (where to focus your limited time)

If you’re not yet a Liner Notes subscriber, the free edition covers highlights from this and 300+ conversations.

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Liner Notes Insider gets you the complete frameworks.

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Peace, love and more cowbell,
Robonzo

P.S. This isn’t anti-streaming advice. Abe has projects on streaming platforms where it makes sense. This is about being strategic: understanding where your music fits in the market and building your business model around that reality instead of fighting it.

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Introducing Sparticups

Just in time for the holidays, I've immortalized my beloved cat Sparticus in an awesome coffee mug.

Spartacus was a 15.5 pound tabby who Sami and I adopted in California. He traveled the South and North American continents with us and lived his last days with us in Querétaro, Mexico. This cup features one of my favorite pics ever of him.

This mug design was originally a gift for Sami – now it's an homage to the most gentle cat we've ever known.

View/buy your Sparticup!

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Liner Notes

I'm a musician and host of The Unstarving Musician podcast. Liner Notes is my biweekly newsletter that shares some of the best insights garnered from the many conversations featured on the Unstarving Musician. Topics covered include, songwriting, touring, sync licensing, recording, house concerts, marketing, and more.

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